In the Studio with Davin McCoy: Part 1
The Art of Emotion: A Conversation with Davin McCoy
On the podcast Curious Goldfish, host Jason English interviews singer-songwriter Davin McCoy. They discuss the intense emotional depth in Davin's music and how it can make listeners feel uncomfortable, which Davin views as similar to the raw, emotive energy of punk rock. Davin also shares his perspective on songwriting, his growth as an artist over the years, and how he uses music as an outlet for his emotions. He talks about having a backlog of songs from the past 10 years which he intends to clean up lyrically for his upcoming album. Guest appearances and collaborations are planned for the recording process, although Davin insists the album remains a deeply personal project. The podcast concludes with the duo talking smack about ping pong. Davin also provides an exclusive performance of "Rings" next to a campfire from a house show in December 2023.
00:06 Introduction and Host's Journey to Atlanta
01:20 Discovering Local Talent: Davin McCoy
02:16 The Magic of Live Performances
02:41 Davin's Upcoming Album and Musical Journey
03:55 The Struggles and Triumphs of a Music Career
04:08 Behind the Scenes: Recording Process
05:01 Navigating the Music Industry: Past Experiences
06:56 Revisiting Old Songs and Future Plans
09:10 Personal Growth and Evolution as an Artist
09:15 Emotional Connection through Music
17:21 The Songwriting Process and Backlog
18:01 The Therapeutic Nature of Songwriting
18:34 The Process of Selecting Songs for the Album
19:22 Collaboration and Personal Connection in Music
20:07 The Goals and Themes of the Upcoming Album
21:22 The Emotional Impact of Music
22:21 The Duality of Emotion in Music
25:55 The Release of a Live Recording
29:22 Preparing for the New Album
31:55 Looking Forward to Muscle Shoals
38:12 Closing Remarks and Live Recording of "Rings"
Transcript
And those people generally are probably not going to have a
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:great time if, if they're at my show,
sometimes they'll go, wow, I feel I've
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:had people come to me and go like,
I haven't felt emotions, you know,
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:or something like that in a while.
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:And I felt, you know, I've had
people tell me like it made me feel
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:uncomfortable, which I think is, I
think that's sort of, you know, punk
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:rock at its finest really is, is just
making people feel some shit that
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:they're not always comfortable feeling.
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:Jason English (Host): Welcome to
Curious Goldfish, a podcast community
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:where music and curiosity come together
through interesting conversations
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:with the music makers of our world.
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:I'm your host, Jason English.
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:You can find Curious Goldfish and all the
major podcasts and social media platforms.
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:And of course we have all of our
content on our website, curiousgoldfish.
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:com.
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:I moved to the Atlanta area
two and a half years ago.
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:And seemingly each week I learned about
a new artist that lives here or learn
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:of an industry icon that grew up here.
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:I saw Elton John perform at the Mercedes
Benz Stadium in late:
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:no idea he's made Atlanta home for
the past 25 years up until recently.
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:And we're just weeks since the
Super Bowl was played in Las Vegas.
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:Where Usher performed at halftime and
apparently he attended high school in
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:the town where I live in Roswell, North
of Atlanta, John Mayer, Zac Brown have
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:passed through just like countless
others from so many different genres.
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:Where am I going with this?
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:Well, fairly early on after moving
here, I came across a local artist
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:performing in a tavern down the street.
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:A little place, it's called 1920.
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:The artist was Davin McCoy, and
I was blown away by Davin's whole
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:persona he had going on that night.
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:Every cover he did sounded better
than the original, and every original
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:he did sounded like something
that should be on the radio.
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:I've been fortunate to spend time with
Davin ever since, and that reaction I had
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:the very first time seeing him is still
something I feel every time I watch him.
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:Whether it's in front of a handful
of people at a restaurant overlooking
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:the Beltline in downtown Atlanta,
or even at legendary Eddie's Attic.
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:If you've seen him, you
know what I'm talking about.
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:And if you haven't, well, I'm so excited
to introduce him to you as he's about
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:to record his first album in a decade.
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:And I'm hoping that his following will
exponentially grow because he has all the
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:talent to be right up there with those
other Atlanta artists I just mentioned.
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:This is the first of three
episodes we have planned with him.
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:This conversation occurred
in late January,:
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:as he was about to record.
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:We hope to catch him during the studio
recording, and then we hope to get a recap
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:of the album and deeper insights into
the tracks that make it near its release.
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:I'm hoping one of those tracks selected
for the album is Rings, a beautiful
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:song where Davin urges someone to
metaphorically cut him up and look
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:on the inside of him, just like you
would do to read the rings of a tree.
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:After my conversation with him, I'm
so happy to include a recording of
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:that song that he performed on a
cold December night in the backyard
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:of a friend's house here in Roswell.
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:Picture a cold, dark night, trees
all around, with a campfire glowing
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:and crackling as Davin sits on a
bright red stool with his guitar and
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:every lyric he sings is accompanied
by breath from the frigid air.
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:Pure magic.
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:And you can even hear
the fire alongside Davin.
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:It's a thin line between making
it big and not making it in music.
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:There's no reason Davin McCoy
can't be a household name after
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:he leaves Muscle Shoals, Alabama,
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:where he will be recording this spring.
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:And that's where we pick up
our conversation with him.
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:Let's dive in.
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:How did the Muscle
Shoals thing come about?
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:Davin McCoy: Through my partner
Robby, he brought Dan Hannan around
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:to to some shows, Robby was the
one trying to convince me to do
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:shows you that wanted me to
do a record kind of my way
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:um, so he convinced
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:So he convinced me he started
the ball rolling, I guess.
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:And he brought Dan Hannan
around, who's a producer that
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:used to live here in Georgia.
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:And he moved to, and so he
had come in and expressed some
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:interest in producing the record.
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:And I was certainly interested
in what he had to say.
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:And then he joined this group in
Muscle Shoals called the Ivy Manor.
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:Uh, music group, uh, I think
they're like the deadly, deadly
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:badass assassins or something.
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:It's something they call themselves.
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:But, um, so he moved out to
Muscle Shoals to join them.
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:Jason English (Host): That's big.
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:So it's been what 10 years since
your previous studio album what have
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:you been doing the past 10 years,
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:I've,
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:Davin McCoy: I've written, I wrote a lot.
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:I kept intending to make the new record.
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:I had some, um, there was some
legal stuff to get through with.
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:uh,
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:with my last record label, it
really kind of put a damper the way
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:things went, um, after that last
record, which was partly my fault.
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:That last record, we had, we had a lot
of money behind us and, uh, and it was,
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:they'd really kind of hyped it and,
um, and the way they were promoting it.
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:the Or the
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:way they wanted to do it and the
way they were spending money that
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:essentially I was going to owe back
regardless of how they spend it.
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:So I had no really say in it.
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:They would just sort of, you know,
they would, they would kind of
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:spin it their way and then go,
by the way, you know, this is the
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:current debt, you know, or whatever.
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:And I didn't see it ever paying off
the way they were pushing anything.
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:It seemed like we were on
two really different pages.
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:Kelly, who became my, she's my ex wife
now, but we got knocked up during that
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:during that first year of the record.
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:that also kind of put
me in a crazy headspace.
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:I didn't want to be gone all the time.
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:and really not making a lot of money
with what we were doing at that time.
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:And it just, the business
structure wasn't there.
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:Um, this is not, it really made sense.
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:So it put kind of left
me with a horrible taste.
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:And so when I did finally, it was
kind of a slow burn split from them.
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:So of course it was even, you
know, we could have just, we should
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:have just ripped the bandaid off.
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:But, um, so I took a bunch of time.
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:to figure
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:a lot of stuff out.
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:And then I went through and then
I was going to put another record
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:out and I went through a divorce,
which took forever and was horrible.
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:And then I was ready to work on
the new record and then Covid.
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:but the whole time I was, you
know, I was doing, I was working
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:in some way with, with music and
with the writing and all that.
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:Jason English (Host): Some of your fans
may be curious...do you have access
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:and rights to , songs that have been
previously recorded on other labels?
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:Can you ever resurrect those?
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:Or can you?
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:Other labels.
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:writers.
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:Davin McCoy: There's some that I did,
under some other umbrellas, that I
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:can't, that I have no access to, um, but
the songs that are still up on Spotify
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:and the records that are still up on
Spotify, uh, those I, I think I have, I
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:mean, there, I don't know, there could be
a, we might be open to some sort of, um,
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:Jason English (Host): like redo.
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:Davin McCoy: Yeah, and I plan on kind of
redoing the, especially the last record.
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:I plan on doing sort of, um,
a Taylor's version, you know,
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:re release of those records.
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:I know you're a Swifty.
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:Jason English (Host): that.
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:Davin's Davin's version.
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:Perfect.
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:Davin McCoy: Uh, but as far as I know, I,
uh, we, where we landed, I think I owned
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:the majority enough of the publishing
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:Jason English (Host): so just out of
curiosity, so are those songs like,
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:you know, whiskey, sexy and happy life
and numbers game, things like that.
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:Davin McCoy: Yeah, that, that
whole record, I'd like to do, um,
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:a more intimate version of it.
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:Um, I'd like to do it with
the same approach that we're
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:approaching this new record with.
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:Um, which is how we should have
done it in the first place.
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:And that's not me, Doc, because
Don McAllister produced that
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:record, and Don McAllister is,
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:is, he's
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:is a, uh, he's as good
as, as good as it gets.
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:And, and, um, but it did have a lot of
influence from the, From the label and,
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:uh, it's just really shiny, the record
is shiny and, and, and I don't think I
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:necessarily at the, I don't, you know,
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:Jason English (Host): uh,
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:Davin McCoy: the shiny factor I think
takes away from some of the, it should
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:be a little messier, I think, you
know, um, a little more intimate, like
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:kind of the, some of the, I think a
lot of the kind of the scars and warts
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:and things were sort of we, we, uh,
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:we
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:We would kind of clean that, you know,
I'd go back in and re dub a vocal if
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:I didn't like a note or something.
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:And just a lot of that stuff was,
we were all kind of caught up in it.
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:So I think that it, um,
it's a good record, I think.
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:I don't know that it's representative
of what you come see at a live show.
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:Jason English (Host): How do you think
you've changed as a songwriter or
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:musician since that last studio album?
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:Davin McCoy: think I'm I'm a better singer
a better guitar player I don't have as
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:much confidence when I'm writing as I
did but not I think Not in a bad way and
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:more of an objective quality I think I'm
a more conscientious singer than I was,
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:uh, I think a little bit more about what
I'm doing instead of just sort of, before
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:it was sort of closed, I was still kind
of closed my eyes and just let it go.
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:But I, um, I tried to learn a little
bit more about what I was doing.
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:I felt like I was always you know, the
movie, Days of Thunder with Tom Cruise.
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:It's Top Gun, but with race cars.
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:there's that scene where Robert Duvall is
talking to him in the bar after they've
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:been on the track all day, and he's
trying to get Tom Cruise to talk to him
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:about what he was feeling in the car.
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:And he's, and Tom Cruise is finally
like, he's like, I'm an idiot.
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:He's like, I don't know
anything about what's going on.
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:I just know how to drive the
car and I can't, I don't know
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:the lingo or the language.
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:I sort of kind of felt that way.
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:And I had been in the studio with
over the years with, just heroes of
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:mine and guys that are, you know, been
from Chuck Lovell to, uh, Ryan Newell
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:to just being around all these guys.
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:I just got tired of feeling like an idiot.
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:Uh, when, when they, you know, I
could write numbers for him, you
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:know, but, and that was sort of it.
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:Um, everything else was just sort of
coming from the gut and, and I think
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:it's important to, for it to come
from the gut, but it's nice if it
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:can pass through your head before or
after, you can put like some thought,
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:more thought into the physicality of
what you're doing and based on kind
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:of more of a knowledge of the music.
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:Jason English (Host): Is there
a chance that even though
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:even though you have less confidence that
you are probably a better songwriter now?
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:Just,
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:Davin McCoy: I think so.
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:Um, I think that I, I am, uh, I just,
I think when I say less confidence,
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:I, I think that I'm more open to
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:other genres of music and the
songwriting process behind songs
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:that maybe I don't like, but I.
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:Can listen and really understand
the the kind of the greatness
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:behind whatever it is whether it's
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:you
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:it could be you know, whether it's
a metal song or a Taylor Swift song
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:or a You know, Ed Sheeran song or
a, or a, uh, Cat Stevens, you know,
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:whatever it is, I, I think I, I
listen a little bit more objectively.
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:And so that is sort of the undertone that
when I say less confidence is, is that
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:it's just more of, I think, an objectivity
about what, what's, what's happening
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:or what I'm, what I'm trying to say.
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:The other part is that I still
am in love with the idea of,
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:heartbreak and, isolation and.
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:Then all the way to the other side of
connection and that type of love that
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:is You know where you still feel like
a teenager waiting, you know, just when
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:you've, you've been with somebody night
after night, after night, after night,
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:and you still see them and feel like
it's prom night, you know, and it's
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:the first time, you know, I still am.
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:a bit, and,
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:I really, and I, and as you get older,
I think as a songwriter, you start to
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:think of, you know, you can become jaded
to that, those ideas because you just
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:experienced heartbreak so many times, you
know, it's a fleeting thing, you know,
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:Jason English (Host): part of life.
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:Davin McCoy: yeah, it's just
something you're going to go
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:Jason English (Host): It's Thursday.
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:Davin McCoy: right?
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:When you're 20 and you get your heart
broken, it's like, holy fuck, your
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:world is completely fucking shattered
and you'll never recover, you know?
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:And um, and I, I still feel,
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:know, until you find that thing,
especially If, uh, if you get kind of
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:bored easy or whatever it is until you
find that thing again, you're going
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:to go through it over and over again.
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:And each time it's, you're more
aware of what's happening and
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:that it'll, this too shall pass.
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:But if you really, you know, if you lean
into it, you can still feel those same
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:things from that you have felt your whole
life as a human being and, but some of
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:that I'll sit down to write and I'll
feel like this is too heavy and this
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:is too emotional and it feels like a.
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:Uh, it feels like something a 20 year
old should write and not a man in
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:his thirties, you know, and so, um
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:Jason English (Host): Well, that
reminds me though, of like, you know,
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:again, back to like Ted lasso that
scene with Roy Kent, where, Rebecca's
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:like, they go on a double date and she's
like, what'd you think about the guy?
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:And Keely's like, no, he's, he checks
the boxes, he's financially fit.
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:He's, he's good looking, whatever.
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:And Roy Kent's like, you know,
are you bleeping kidding me?
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:You know, and ba he basically
tells Rebecca, you deserve.
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:To feel like you got struck by lightning,
that's what you're talking about.
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:Right?
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:Yeah.
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:Davin McCoy: about.
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:And I love, I love, I'm a
complete sucker for that stuff.
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:And, and, uh, and, and shows and
my emotional status I think has
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:always been, it's in a, in a,
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:sort of an, I mean,
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:I'll cry during an
insurance commercial, um,
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:Really?
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:but then if something heavy, like
important in my life happens, I'm,
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:I'm pretty stoic a lot of the time.
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:And it's, I think this
was killed a lot of it.
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:It's hard for a partner to be with me
because they'll, they'll go, I want,
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:you know, I go to a show and watch you
talk about a song and then, you know, I
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:can see your eyes watering while you're
just singing a song that you wrote.
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:15 years ago or something or, or, or
whether it's a month ago or 15 years ago
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:and, and then I've never seen you one time
cry at home over, you know what I mean?
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:It's like.
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:Jason English (Host):
Why do you think that is?
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:Davin McCoy: early childhood
developmental trauma.
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:Really?
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:Uh, it's just a safe space
that I found when I was young.
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:Emotions were were not real safe
for me when I was young and not
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:because I had a shitty parents.
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:They were doing absolutely
the best they can just on.
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:They were great.
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:Um, but you know, my both of my parents
had come from a lot of trauma in their
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:background and um And sort of my mom
sort of felt responsible for my emotions.
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:And what happens there is that in
turn you feel responsible for hers.
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:So you don't want to be sad because
she gets sad if you're sad, which is
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:too heavy for a kid to really carry.
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:And so you tend to be stoic through
everything because you just, you don't
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:want to, you don't want to make your mom
upset and just you being upset will make
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:your mom upset if in those situations if
you're, and then on the other side of it,
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:you know, my dad really didn't have much
patience for or validation for emotions.
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:So I just kind of had in, in the
both houses, um, I just had parents
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:that, you know, it just was, uh,
it wasn't real conducive for me.
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:So then when I, when I started.
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:singing music, playing music and
singing it and then writing it,
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:you know, that all of a sudden
you're on, some form of a stage.
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:and not only do people sort of expect
you to, to really feel emotions,
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:the more you feel, the more it
tends to resonate and then they
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:clap for you afterwards, you know?
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:So it's, it was this safe space where
I could feel and really, um, Really
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:kind of experience the things that
you're supposed to just probably be
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:doing in your everyday life, you know
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:Jason English (Host): The other night,
we were together and I saw you do a
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:cover a Damien Rice to just and I
don't know what the meaning behind
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:the song is but I can see it in
your face, well, most everyone can
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:Davin McCoy: think well and Damien Rice's
he almost everything he's written I I Go.
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:Oh, yeah, that's what I was thinking.
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:He just did it a lot better than me Yeah.
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:Damien is a great example of that.
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:And that song, it was delicate, right?
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:Is that what I did?
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:Um,
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:been out
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:that song has been around, has
been out for a very long time.
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:And I still, every time I decide
if I'll, I don't know what made
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:me play it the other night,
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:Jason English (Host): Well, I think
they asked you, you know, play your
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:favorite cover and it took you a minute,
but then that's what you landed on.
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:Davin McCoy: That's right.
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:Oh yeah.
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:It was, well, play your favorite cover
always turns into play what right this
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:second you would, you would make you the
That I think what you're feeling the most.
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:And that's in that arsenal that I
shuffle around for sure of songs
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:that I know always make me sort
of, uh, they make me happy to play.
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:And that song is that song is so good.
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:Um, every song on every
record of his is good
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:Jason English (Host): So in
terms of the songwriting, you
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:said you've been writing songs.
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:I mean, how, how big's the backlog
in the last 10 years of what you have
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:now to choose from for the new album?
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:Davin McCoy: It's not
as big as it should be.
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:There was some of the songs.
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:There was some,
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:There were a few periods of
time where I wrote the same song
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:about a hundred times, probably.
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:and, and it was in moments where I was
too, I went, there was a lot of shit
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:that happened in the last 10 years.
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:And so, you know, you
have a couple of kids
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:go through a divorce, um, go through
another really, really difficult breakup.
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:COVID, all this stuff, right?
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:And, right after you go through them, if
you can't, it's, there's some people that
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:can immediately sort of recognize and
write it the way it should be written.
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:Um, when you go through something
heavy, I tend to be too close
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:to the painting for a while.
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:And so a lot of the writing is
purely, it's just therapeutic.
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:There's nothing to really come from it.
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:It's just a way of, of.
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:leaning into the emotions
and feeling them.
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:But I'm too close to the painting
to really describe it, you know, and
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:it takes some time to get a better
perspective of what you're seeing or what
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:it is you're going through or feeling.
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:So there's a lot of
songs that were written.
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:Most of them are unusable.
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:and then in terms of what we've been
Kind of sorting through for this
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:the ones that I've been comfortable.
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:I have Presenting I have I think I
have done a pretty good job myself.
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:I'm narrowing them down to probably around
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:16 to 18 or something and then if I really
have to bring out I've got a whole A
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:whole book of songs that if we get to,
if I get to Muscle Shoals and we, and
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:we think that we're needing some other
material, I've got stuff I can start
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:showing them or, or at, at, at worst
case, sort of a lyric and an outline of
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:a, of a bunch of things that we can look
through and see if there's something
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:Jason English (Host): Do you anticipate
doing much writing while you are there?
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:Or will it be mostly if trying
to record what you've got?
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:There.
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:Davin McCoy: Some
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:of the team there, they
are looking to write.
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:a couple of songs
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:songs with me.
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:I know that they are, are
sort of leaning into that.
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:And I'm very, very open to
it, but I also told him that
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:I'm not, there's no guarantee.
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:I'm in no way am I guaranteeing
that they'll be on the record.
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:And, uh, it's, it's personal.
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:It's, you know, it's a, I writing
for other, stuff is different, you
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:know, but for The record, especially
when I haven't put one out in 10
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:years, it's, it feels really personal
and it feels very close to me.
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:And so if we write something
that I love, then I will 100
370
:percent put it on the record.
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:And if we write something that I
love, but I just don't think it's
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:for the record, I'll just, you know,
we'll use it for something else.
373
:We've written a lot of good
stuff out there this past year.
374
:So
375
:Jason English (Host): So what,
what are your goals for the album?
376
:And you kind of described it like
you're too close to the painting.
377
:Does the painting have a theme yet?
378
:Davin McCoy: I think there's
a general feeling that is.
379
:That I've already tried to, uh,
Robbie and I have, Robbie's helped
380
:me sort of through this process with,
kind of outlining a feeling and a
381
:theme, which is, it's pretty heavy.
382
:I mean, it's pretty, there's a lot of,
um, it's a lot of emotional takes, I
383
:think, and uh, for better or worse, but
384
:was.
385
:But,
386
:overall
387
:we
388
:wanted to just be.
389
:Extremely intimate and extremely,
passionate and, think that if I could
390
:sum up sort of the goal, it would be You
know, there's music to dance to, you know,
391
:and there's music to do all, you know,
all sorts of reasons to listen to music
392
:and you know, the goal of this record is
393
:You know for I think for people that
ever just sort of feel isolated or feel
394
:Uncomfortable or feel Uh, afraid or
feel, um, sad or feel, manic or whatever
395
:it is to, to listen to the record
and feel less alone about feeling any
396
:of those things, you know, I think
that's probably the overall gist.
397
:There will be people that
go like, bro, lighten up,
398
:Jason English (Host): I bro.
399
:don't think heard that before
400
:Davin McCoy: never have I heard of that.
401
:I will, people will approach
me and think that I'm like they
402
:will assume that I'm gonna be.
403
:Very delicate and emotional and,
and I think a lot of people are
404
:always surprised to learn that
I'm, I'm really like laughing all
405
:Jason English (Host): that
I'm, I'm really, lighthearted.
406
:Davin McCoy: get the heavy shit
out in the song so that I don't
407
:carry it around with me all day.
408
:Cause if I didn't, I would.
409
:I would, I would walk around with
it when I'm not writing or playing,
410
:even if just not playing for a while.
411
:It doesn't matter if it's a
pub or a festival or a show or
412
:a theater, it doesn't matter.
413
:I will start emotionally chew,
like I'm like a golden retriever.
414
:I'll emotionally start chewing up
the carpet if I don't play enough.
415
:And, uh, and it's probably not
the most functional way to exist,
416
:but it is the way that I exist.
417
:And it's probably too late to fix it.
418
:Change it much now.
419
:Jason English (Host): Well, I think like
if I did music reviews, I would probably
420
:start out with a review of your music
with something like this, which was like,
421
:you know, there's a guy, Leo Tolstoy
said, music is the shorthand of emotion.
422
:Davin McCoy: I
423
:Jason English (Host): I would say
music is a shorthand of emotion.
424
:And Davin McCoy writes in calligraphy,
425
:Davin McCoy: people.
426
:Oh, man.
427
:I said, can you write my new bio?
428
:think we talked about
429
:Jason English (Host):
That's a pretty good line,
430
:Davin McCoy: a great
431
:Jason English (Host): Yeah.
432
:Cause like you, if anyone sees
you in, in person, it is a
433
:lot, but being alive is a lot.
434
:Having relationships is a lot.
435
:Having kids is a lot.
436
:Having friendships is a lot.
437
:So it's like, that's kind of what.
438
:music should be.
439
:Davin McCoy: I, yeah, I agree with you.
440
:I mean, that's definitely my
approach and that's, that's my
441
:defense and too of what I do.
442
:I mean, that's the best, more eloquently
put than I've probably ever put it.
443
:Uh.
444
:that's just
445
:You know, and I have, I've had people
go like, man, play something happy, you
446
:know, my very eloquent way of responding
to that is normally just go fuck
447
:Jason English (Host): very eloquent
way of Well you've got Happy Life,
448
:you've got Not at All to that.
449
:Davin McCoy: life.
450
:Yeah.
451
:Yeah.
452
:With you.
453
:Yeah.
454
:Yeah.
455
:Yeah.
456
:Um, yeah.
457
:Which both have some sadness
behind them really, but, uh,
458
:Jason English (Host):
We don't have to talk
459
:Davin McCoy: no, I won't.
460
:Yeah.
461
:Yeah.
462
:That's mine to keep.
463
:there are people that are just,
464
:you brought up the Ted Lasso thing.
465
:Ted Lasso is a great example of,
that man is, you know, he's a
466
:walking antidepressant from the
people around him, but he is.
467
:You know, I thought it was so brilliant
the second season when they, when they
468
:came back in with sort of the reality
that is so that you're going to have with
469
:that, with that personality type, which
is he's going to be dealing with something
470
:inside that he's compartmentalizing that
is going to eventually come out sideways.
471
:And he, and I thought, I think they
did such a great job with the mental
472
:health aspect of that side of it.
473
:yeah, that's the thing is that there's,
there's a duality and you have to,
474
:you've got to lean into both of them.
475
:And some people lean into music for
that and other people's, uh, and other
476
:people lean into it, uh, to really happy
music for the, for the other side of it.
477
:And those people generally are probably
not going to have a great time if, if
478
:they're at my show, sometimes they'll go,
wow, I feel I've had people come to me
479
:and go like, I haven't felt emotions, you
know, or something like that in a while.
480
:And I felt, you know, I've had
people tell me like it made me feel
481
:uncomfortable, which I think is, I
think that's sort of, you know, punk
482
:rock at its finest really is, is just
making people feel some shit that
483
:they're not always comfortable feeling.
484
:And then other people, it's just cathartic
to lean into it and, and they tend
485
:to be drawn to, and I'm the same way.
486
:I mean, shit give me, I'll go to
a, you know, I go to a Damien Rice,
487
:you know, show over a mama's in
the Papa's show every day, all day.
488
:Jason English (Host): And
there's a market for it.
489
:I mean, some, some people
490
:are like, well, you know,
491
:music
492
:music should be dancing and
happy and things like that.
493
:But like you mentioned
Damien Rice, I think.
494
:Yeah.
495
:Gregory Allen Isakov off also
you're not gonna want to go, to the
496
:carnival after listening Isakov.
497
:Right.
498
:But like, there's, there's a beauty to it.
499
:Yeah.
500
:There's, there's a, there's
501
:Davin McCoy: there's, there's
a whole inner world that
502
:allows you to experience a
503
:some people are comfortable
in that space some people are
504
:too comfortable in that space
505
:to it.
506
:It's just a whole
507
:Jason English (Host): space.
508
:Yeah.
509
:Yeah.
510
:Davin McCoy: the duality of the
universe that exists in every
511
:single one of us, I think.
512
:Jason English (Host): So we talked
about it's been 10 years since the
513
:studio album, but, but you did release
something over the summer, which is
514
:a live recording at a performance
at Eddie's attic here in Atlanta.
515
:I guess.
516
:What was the purpose of that?
517
:Davin McCoy: of that?
518
:I think Robbie wanted me to do it.
519
:I think that
520
:Jason English (Host): Robbie's
got ultimate ultimate authority.
521
:Davin McCoy: I think he wanted me
to do it and I was happy to do it.
522
:Uh, or I was sort of Yeah, I
thought, sure, why shouldn't we?
523
:That's another thing that's changed as
well, is I don't feel as, um, I'm not
524
:as afraid of, of, uh, of it not being,
of things not being perfect or anything.
525
:You know, sort of, like when they
mixed down that record, I was
526
:in there for about ten minutes.
527
:I
528
:I cannot sit here and listen to this.
529
:I am out of here.
530
:I trust you guys.
531
:Tell me when it's done and send it to me.
532
:just mix it how you think and just don't.
533
:Don't chop anything out, don't tune
anything, but, but you guys can mix
534
:it down and just release it because
I'll never be, you'll never hear me,
535
:especially in a live recording, I'll
never, if it, if it requires me to
536
:sit there and go, yes, that's great.
537
:Put it out.
538
:I'll never will.
539
:and
540
:it was
541
:Jason English (Host): yes,
that's great, I'll never will.
542
:I think I, when I did end up listening
543
:Davin McCoy: when I did end up listening
to it a couple of times, I, I really
544
:did think it was, it was, it was good.
545
:I thought it was, I thought it
was a pretty good representative.
546
:Yeah.
547
:Um, representation.
548
:And I'd like to do that.
549
:That was, we, we did that because our
plan is, I think, to try to do release,
550
:you know, one show at least once a year.
551
:Um, and, um,
552
:Jason English (Host): year.
553
:You're
554
:Davin McCoy: know, even if it's
555
:in a different
556
:a lot of song overlap and
stuff, um, I'm cool with it.
557
:I think it's cool to have just,
558
:Jason English (Host): So it
559
:Davin McCoy: just always in a
different space when it's shit
560
:that means something to you.
561
:And so it comes out
different in a lot of ways.
562
:Jason English (Host): Do you think
the new album will be more like that
563
:than it was than your earlier stuff?
564
:Davin McCoy: Yes, it'll be, this will be,
um, yeah, it'll be much closer to the goal
565
:with this record is to be able to, if I'm
It's not going to be an acoustic record.
566
:It's going to be, there'll be, uh,
plenty of instruments on it, but it'll
567
:never feel like a, it's me with a band,
uh, because I don't plan on really
568
:touring with a band again for some time.
569
:And, um, so I want the record,
I want the record to be big
570
:and atmospheric and all that.
571
:But when you hear me play the
same songs live with just me and a
572
:guitar or me and one other guy or
whatever, I don't want it to sound
573
:like different versions of the songs.
574
:I want it to sound like the same
song, just, just, um, A great example
575
:is, uh, you kind of hear that with
a lot of like Ray stuff and Damien
576
:Rye stuff and it's all, you know,
it's produced, but when he does it,
577
:does most of them acoustic when either
one of them do or a lot of guys, uh,
578
:it doesn't sound even bad to like Cat
Stevens, you know, whatever it was,
579
:whatever the quality was about the
recordings when he played acoustic stuff
580
:for him and just one other guy, it didn't
sound like this is the acoustic version,
581
:you know, it just sounded like the song.
582
:Jason English (Host): So I hope to
talk to you in muscle Shoals, while
583
:you're recording, but I guess, can you
walk us through, what do you call it?
584
:Pre production process?
585
:what are some of those steps that
you've been doing the last couple of
586
:months to prepare for muscle Shoals?
587
:Just,
588
:Davin McCoy: panicking.
589
:That's probably the
thing I've done the most.
590
:I've just been trying to sit with, um,
Some of these songs have, I have about,
591
:I've probably done them 10 different ways.
592
:Over the past bunch of years
So I've been trying to sit with
593
:those and figure out what I like
the way I want to do them best.
594
:I've been
595
:um,
596
:Sending tracks out to to those guys
out there to listen to and kind of get
597
:a feel for so they can come up with
their what the production ideas and And
598
:mostly just a lot of lyric cleaning up.
599
:I've been going through and trying
to, you know, there's some of these
600
:songs have 25 verses and that I've just
over the years that I've rewritten.
601
:And um, so going back through all that,
which has been kind of neat, actually,
602
:it's kind of sort of like reading your
journal in a lot of ways, obviously.
603
:So I've been doing a lot of kind of lyric
cleanup and trying to find versions of
604
:songs that I remembered that I liked that
that were recorded some way or another
605
:and That's sort of what I think what
you sort of do you go through it and
606
:and kind of
607
:Kind of just take an inventory
pre production is sort of an
608
:inventory and then once I get out
there and we do official We'll
609
:do the studio pre production,
which is where we'll really sit.
610
:Before we track, we'll sit, we'll
kind of draw out a map, like a brain
611
:map concept of what the record is.
612
:Dan is really, Dan Hannon is so, um,
613
:he
614
:He really brings a profundity and
like a weight to, uh, He, he said,
615
:He said, you know, at some point I
realized that I don't, my, I, I'm
616
:not a lot of producers approach.
617
:It's sort of like they're making sort
of their record that you know, they're,
618
:they're going to, they're, they have
decided what this record should be.
619
:And great producers
have done that plenty of
620
:Jason English (Host): many times,
621
:Davin McCoy: but Dan is very,
I want to make your record.
622
:I want to be the one to make your
record, which is pretty cool.
623
:So we do, he does sort of a lot of, you
sit down and you really, I think it's
624
:that kind of Rick Rubin school of thought,
you know, you got to kind of manipulate
625
:in, get
626
:and, um,
627
:place you, you think
628
:Get in getting, you know, get
the artist to the place you,
629
:you think they need to be in.
630
:And, and, um, and a lot of ping pong,
a lot of ping pong talks, you know, so
631
:Jason English (Host): fun.
632
:Davin McCoy: it'll be great.
633
:I'm excited.
634
:Right.
635
:Jason English (Host): Alright.
636
:Well, thanks for your time today.
637
:Uh, I look forward to
seeing you in Muscle Shoals.
638
:Davin McCoy: Yeah, man.
639
:We're gonna have a good time.
640
:Jason English (Host): kick your ass in
641
:Davin McCoy: You need to
brush up on your ping pong
642
:Jason English (Host): don't worry about
643
:Davin McCoy: we will.
644
:It's, it's intense.
645
:Are you good?
646
:Jason English (Host): I'm
647
:Davin McCoy: Of course you
648
:Jason English (Host): I'm
good, I'm good at Cornhole.
649
:Davin McCoy: too.
650
:Uh, yeah, you have that walk too,
you know, you walk like an athlete.
651
:Um,
652
:Jason English (Host): oh, oh boy.
653
:Davin McCoy: uh, yeah, no, uh, I don't
know, hopefully if you get out there
654
:and smoke me, I'm gonna be so bummed.
655
:Jason English (Host): I'm going
to bring my cornhole boards too.
656
:Davin McCoy: they probably
have them out there.
657
:They've also got like those
splatter ball guns, the intense
658
:Jason English (Host):
you told me about that.
659
:Davin McCoy: Uh, we get out there and And
make some noise and, um, shoot each other.
660
:We actually created a new ping pong.
661
:That's what, that's what
662
:Jason English (Host): play.
663
:Oh, that's right.
664
:The splatter ping pong.
665
:Davin McCoy: hit with
paintballs while you're playing.
666
:Um, be great.
667
:Uh, Gary Nichols, you know, Dan
Hannan, Eli, um, Clint, uh, the
668
:whole team out there is really great.
669
:Um, It's going to be a lot of fun.
670
:Don't put that part in there.
671
:Cause I left out two names and
I can't think of them right
672
:now.
673
:Jason English (Host):
I'll I'll fix that in post
674
:Davin McCoy: Yeah.
675
:Fix it in post.
676
:Yeah.
677
:Cool, man.
678
:Jason English (Host): man.
679
:You appreciate
680
:Davin McCoy: Thanks Jay.
681
:Jason English (Host): Thanks so
much for joining us for another
682
:episode of Curious Goldfish.
683
:Please follow and subscribe to
the podcast and on social media.
684
:Also, tell your music
loving friends about us too.
685
:Until next time, stay curious.