Episode 8

full
Published on:

15th Feb 2024

A Chat with Grace Pettis

Music, Curiosity, and Empathy: A Conversation with Grace Pettis

Host Jason English welcomes Grace Pettis to the Curious Goldfish podcast to discuss her music and her journey. Grace shares her story about writing a song as an apology to her best friend, Landon, who came out as gay after high school. The song, named 'Landon', helped rekindle their friendship and has served as a catalyst for conversations about acceptance and understanding. Grace shares her views on representation in music, highlighting the need for more female voices and the exploration of female experiences. The podcast also discusses the TV show Ted Lasso, its depiction of dynamic female characters, and the underlying themes of decency and empathy in the series. Finally, Grace hints at her new record, influenced by personal loss, separation and life after divorce, dedicated especially to those who have been affected by loved ones' struggles with substance abuse.


00:07 Introduction and Songwriting as Therapy

00:54 Welcome to Curious Goldfish

01:31 The Connection with Grace Pettis

02:15 The Inspiration from Ted Lasso

02:40 The Impact of Decency and Empathy

03:22 The Powerful Scene from Ted Lasso

04:18 The Importance of Support and Understanding

05:56 The Church's Approach to Homosexuality

09:08 The Story Behind the Song 'Landon'

12:11 The Power of Apology and Reconnection

22:02 The Importance of Women's Voices in Music

26:32 The Upcoming Album and Final Thoughts

29:40 Grace Pettis' Performance

Transcript
Grace Pettis:

So I, had been writing this song and, and

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writing songs for me is like this.

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Cheap therapy, right?

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You know, it's like a way to like process

things that don't make a lot of sense and

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try to make sense of them, and and handle

stuff that's complicated and nuanced in a

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way that you can't in just a conversation

or a text or it's like you need to put

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it into some kind of a medium where you

know I think that's what art does so well.

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It's like you could read a dictionary

definition of An eagle or you could like

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read a poem about one and which one would

give you a better experience, right?

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Of a fuller experience

of what that thing is.

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So for me writing a song helped me

process it and sort of understand

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my own journey a little bit.

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Jason English (Host): Welcome to

Curious Goldfish, a podcast community

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where music and curiosity come together

through interesting conversations

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with the music makers of our world.

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I'm your host, Jason English.

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You can find Curious Goldfish and all the

major podcasts and social media platforms.

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And of course we have all of our

content on our website, curiousgoldfish.

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com.

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I don't have a lot in

common with Grace Pettis.

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She's a beautiful young singer

songwriter who has bright red hair

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with a strong, clear singing voice.

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I'm old.

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I have a face for podcasting and my male

pattern baldness is unfortunately a thing.

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Also, I can't sing or play an instrument,

but we do share one connection.

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We both were raised in the church and

the fairly conservative evangelical

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community, very much prevalent in the

Midwest and in the American South.

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I'm going to come back to that, but

for a minute or two, I'm going to try

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and make a couple of things connect

here as I tee up the conversation

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I had with grace back in January.

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As you may know by now, this podcast is

inspired by the television series Ted

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Lasso, but what does that mean exactly?

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It can mean any number of things,

but mainly it's all about mindset.

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It's about mindset around self

belief, teamwork, leadership,

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empathy, and yes, curiosity.

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but one of the more important aspects of the show that

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resonated with me is decency.

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How we as humans, whether at work or

in personal relationships, treat one

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another and are there for one another.

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No matter your background,

gender, or status in life.

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One of the most impactful examples of

this, you know, this idea of decency came

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pretty late in the third and final season.

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So if you haven't watched the entire

series yet, here's your spoiler alert.

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You might want to skip forward to my

conversation with Grace, but I hope this

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scene gives everyone the right context

before we jump into that interview.

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This scene is about Colin Hughes,

one of the tier two characters

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and a player on AFC Richmond.

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We learn in season three that he is

gay, and he's put in a position to

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come out to his teammates following

a crazy sequence involving a rowdy

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and rude fan yelling nasty things

to the players before halftime.

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We don't actually hear how he does it.

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Just the immediate reaction of his team.

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First by Danny Rojas,

and then by Coach Lasso.

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Here's that sequence.

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So we cool, of course Yeah Of

course, it's cool Yeah, yeah.

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Yeah.

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Yes amigo thousand percent.

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You're gay big whoop, but

we don't care right guys

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actually, yeah Colin we do care, you know

When I was growing up back in Kansas city,

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I had a buddy, uh named stevie jewell

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Jason English (Host): So Ted goes

into a story about how his friend

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was a fan of an American football

team that Ted actually hated.

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And for two years when that team

played in the Super Bowl, no one

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watched the game with Stevie.

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I guess he was just left alone.

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And Ted continues.

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Because I wasn't there.

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Because I didn't care.

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But I should have cared.

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You know?

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I should have supported him.

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I should have been at his

house both them years.

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Sharing that seven layer

dip with my friend.

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But the point is, Colin,

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we don't not care.

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We care very much.

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We care about who you are and what

you must have been going through.

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Yeah.

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Hey, from now on, you don't have

to go through it all by yourself.

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Yeah.

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All right.

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Yeah.

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You heard that.

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You got us, mate.

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We got you.

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Jason English (Host): What a moment,

what a moment of leadership and empathy.

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I've watched the series many, many

times and I don't really recall

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Ted going into too much detail

about his religious beliefs, about

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spirituality or anything like that.

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But in that moment he was just being

decent and making the point that it's just

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not good enough for us to just casually

accept a situation and look the other way.

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But genuine interest and

empathy is required when people

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we care about feel isolated.

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So back to my earlier point about grace

Pettis and what I have in common with

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her, our heritage in evangelicalism,

though, Ted Lasso isn't overtly

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spiritual, you could make the case

that in that moment he was ultimately

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Christlike being there for his teammate

in a very vulnerable situation, but

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the modern day church doesn't have a

great history when it comes to being

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As Christlike as a fictional soccer

coach on Apple TV plus for whatever

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reason this issue of homosexuality has

spiraled too many people into chaos

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of arguing about doctrine or scripture

meanings or who's getting into heaven

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and hell so much so that many have

forgotten that we just need to be decent.

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So there was a musician, Rich Mullins,

my favorite all time artist in the

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contemporary Christian music genre

who called this out explicitly.

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Rich, unfortunately died

in a car accident in:

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I encourage you to look him up on YouTube.

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He was a Christian who spoke

with clarity and conviction.

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And here he is in the mid

:

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talking about this very issue.

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To an audience who undoubtedly was

uncomfortable hearing rich describe

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his challenge of writing a song

about his best friend for fear

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that his audience would reject it.

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He was scared that they would think

it was too much about homosexuality

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when all he wanted to do was share

about how much he loved his friend.

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Apologies for the audio, but here is rich.

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Home, and, when I get there, I, I

get real uncomfortable, cause it

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doesn't really feel like home, either.

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Just, I wrote a line for Beaker one time,

cause you know how hard it is for guys to

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tell each other that they love each other?

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We're just, we're so homophobic

that we can't even be honest.

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And, uh, so I really wanted to tell

Beaker I love him, so I wrote, I

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wrote this really stupid song for

him that I thought was kind of funny.

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And, uh, I included a woman's name

because, because my audience is It's so

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homophobic, that I, if I wrote a song for

a guy, they would stop buying my records

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and let's face it, I gotta make a living.

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Jason English (Host): That clip is

amazing for so many reasons from

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the awkward laughter of an audience

that was basically undressed.

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Without even knowing it to the fact

that one of Christian music's most

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prolific songwriters had to change the

name of a song for fear of backlash.

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I am 1000 percent sure that if

Rich was alive today, the song

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would be called "What Beaker Said"

instead of "What Susan Said".

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You should look that song up too.

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that's the environment.

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Grace and I were raised in,

it's not all regrettable.

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We both hold things very dear from

the faith and from that community.

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But in her song, Landon about a

childhood friend who eventually comes

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out, grace calls herself out and

reminds us all that we can do better.

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And we can be better.

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We can be more decent.

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And there are likely people out

there who deserve our apology.

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If a soccer coach who doesn't claim

any allegiance to any specific faith

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can treat people with dignity and

respect, maybe those of us who proudly

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claim a God of love can as well.

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The conversation with Grace Pettis

begs this question, and she closes

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us out with a performance of Landon.

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It's an amazing song.

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Look her up on Spotify, look

the song up on YouTube and

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listen to her performance today.

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Grace Pettis.

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Let's dive in.

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Grace.

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So nice to meet you.

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Thanks for your time.

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Grace Pettis: Of course.

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Yeah!

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Jason English (Host): We're here

watching the sunset in Florida.

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Grace Pettis: This view does suck.

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Jason English (Host): It does not suck.

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I

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I mean, Nashville is cool,

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Grace Pettis: Ah, is it?

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this.

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Jason English (Host): but it's not this,

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Grace Pettis: I don't

know, it's not the beach.

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Jason English (Host): it's not the beach.

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All right.

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So you hear the 30A songwriters festival

have, is this Are you a veteran here?

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Have you been here before

or is this your first

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Grace Pettis: first time here

was last year and strictly in a

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girlfriend capacity Robby Hecht.

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So this is my first year as an artist.

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I basically just emailed

Russell and was like

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and was

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Robbie's coming anyway.

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I'm coming with him.

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You might as well let me play.

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Jason English (Host):

That's smart, I love that.

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Be staying

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Grace Pettis: I'm gonna be staying in

the room anyway, like this will be the

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cheapest situation for you of all time.

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Jason English (Host): How's it been

for you this year as a performer?

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Grace Pettis: It's been fantastic.

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It's just like a summer camp, family

reunion sort of vibe because these are

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a ton of people that I know and have

been friends with for over a decade

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that are just, you run into each

other once a year in whatever their

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home state is, and you play a gig or

whatever tour you happen to align on.

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And then, you know, you

don't see him for a year.

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And so you anytime there's a conference or

a festival or something like this, where

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we all get to be in one space together.

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It's just such a party.

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It's such a good time.

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Jason English (Host):

you see any performances?

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Grace Pettis: Oh, yeah.

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Yeah, we've

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Jason English (Host): yeah.

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What stuck out to you?

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I

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Grace Pettis: Well, I got to see

Roseanne Cash, and John Leventhal.

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And that was, that was the

highlight, I think, obviously.

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I mean, it was from very far away.

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So it was a very small Roseanne Cash on

a stage with a very big crowd of people.

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But, uh, but that was a

highlight for me for sure.

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Jason English (Host): So I saw them.

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That was, it was like March

th,:

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Mm-Hmm.

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at the Boulder Theater.

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And, I'm almost 50.

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I was the youngest person

in the, in the audience.

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But it was right at the start of Covid.

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It was the last show I saw for,

you know, a year and a half.

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But I remember thinking.

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Okay, that's like this is it, you know,

and she was amazing and John Leventhal's

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a legend, you know, I mean So that yeah,

that's awesome So I want to get to some of

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your music and what you have planned for

this year When did working woman come out?

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Grace Pettis: Uh, the

record came out in:

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Okay.

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Jason English (Host):

okay, so there's a song on

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Grace Pettis: song on there.

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Jason English (Host): There's a few songs

on there, but there's a song on there that

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just Spoke to me for a number of reasons.

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It's called Landon.

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Can you give us the headlines about

the genesis of that and then I want to,

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I'm going to read some lyrics because

I think it's the lyrics are worthy of

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an out loud reading because I think the

audience needs to know the depth of, what

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you're doing, but where'd that come from?

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Grace Pettis: Okay, yeah, sure.

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It's autobiographical.

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It's a song I wrote for a dear

friend of mine who was my best

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friend in high school, Landon Beatty.

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And, , he came out.

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He's gay.

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He came out right after high school.

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We went to school in a very

small town in, rural Alabama.

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So, sort of a homogenous, very

conservative, very religious community.

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Where It's kind of hard to find your tribe

if you're different in any way, at all.

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So as a gay kid, that's, that's a

tough environment to come up in.

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He waited until right after he left,

to kind of make the rounds of the phone

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calls and come out to a few close people.

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And from his like recollection of

those phone calls and how they went,

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my response was one of the nicer ones.

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Which tells you a lot, because my response

was basically like a canned You know,

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evangelical script that was like, love

the sinner, hate the sin, and you can

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be gay, but you're not allowed to like

date anyone, and you should pray to be

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not gay anymore, and you know, that sort

of thing that I had been taught to say.

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Um, well, there's these Bible verses,

so I guess you can't be gay, and

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like, you know, like even as I was

responding in that way to this really

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vulnerable, courageous moment for him,

I didn't respond with vulnerability,

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and I didn't respond with courage.

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Or with love, like I responded

with just this sort of pre packaged

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answer that was not personal for me

in any way and I hadn't had to do

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any work or any wrestling with it.

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I had never prayed about it, you know,

and, uh, as it came out of my mouth,

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even I think there was a piece of me

that just felt like Something's off,

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you know, like your conscience just

sort of prickles you and just something

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tugging at your sleeve a little bit

Like maybe you should take another look

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at this And so I spent the next four

years in college just like I myself for

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for context I'm like the straightest

straight girl of all time like never

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even I mean, I know there's a spectrum

But I'm like very far in one end of it

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Unfortunately because women are awesome.

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But uh, but yeah, I just I spent a

lot of time in college, like I joined

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the gay club, the queer club, you

know, GBL, TSA, it was at the time.

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And I was like the only straight

Christian girl in it, and I didn't

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know what I thought about it at

the time, I joined it to , get more

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information, to like, put a face to

some things that I didn't have a face

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on, you know, or hadn't before Landon.

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I took a class on gay

and lesbian literature.

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I also took a lot of classes in, in early

Christianity, and I minored in religious

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studies, and so I read a lot of texts, and

I, um, did a lot of praying, and, I spent

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a lot of time thinking and wrestling with

a lot of preconceptions, not just about

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Jason English (Host): yeah, yeah.

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Grace Pettis: also, you know, and

I came out of that with a stronger

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faith than I'd had going in.

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It sort of was less about belief in the

head and more about faith in the heart

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and, and, you know, a deeper trust in

God and, and also like completely a 180.

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On my theology in terms of, queer

people and how the church should treat

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them or how they should be allowed

to live as moral people, you know?

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So I just did a total 180 on

that and then I realized that

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I owed my friend an apology.

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So I, had been writing this song and,

and writing songs for me is like this.

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Cheap therapy, right?

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You know, it's like a way to like process

things that don't make a lot of sense and

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try to make sense of them, and and handle

stuff that's complicated and nuanced in a

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way that you can't in just a conversation

or a text or it's like you need to put

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it into some kind of a medium where you

know I think that's what art does so well.

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It's like you could read a dictionary

definition of An eagle or you could like

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read a poem about one and which one would

give you a better experience, right?

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Of a fuller experience of

like what that thing is.

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So for me writing a song helped me

process it and sort of understand

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my own journey a little bit.

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Then I sent that apology song

that I had written to Landon.

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I had already apologized to him, but I

felt like I just, there was a closeness

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that we had in high school that, you

know, everybody listening can relate.

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Everybody had that friend in high

school that's like closer than

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family and you've probably never

had a friend that close again.

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And it was that closeness

that I really, missed.

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And I wanted to connect with him

and feel just like that we deeply

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understood each other again.

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So the song was like a catalyst

for us, uh, reconnecting and

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becoming close friends again.

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And he really loved it.

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He wanted me to play it out.

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I said, you know, listen, if you don't

want me to ever play this, I won't.

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It's his name, and his

name is in the chorus.

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So I would never have played

it without his permission.

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Or encouragement, but he really

wanted me to so I started playing

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it, played it for a lot of years.

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And then when I signed my first

record deal, it's the song that I'm

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the most proud of, of all my songs.

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Jason English (Host): Yeah.

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Grace Pettis: because it's, you know,

there's like, which one is like,

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technically the best craftsmanship

or whatever, and I don't know, you

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know, someone else can probably tell

me, but this is the one that, I feel

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like has done the most good in the

world, where I've felt the most useful.

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So I'm re very proud of it, and it's

sparked a lot of conversations around

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merch tables that I'm really proud of, um,

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Jason English (Host): Well if

you grow up in the church they

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talk a lot about being a vessel,

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Grace Pettis: mhm, yeah.

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Jason English (Host): like that.

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Grace Pettis: There's that st.

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Paul prayer like make me a make me an

instrument of your of your Grace is it

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or make me an instrument of your love

love make me an instrument of your

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love Yeah, this feels like that like

I when I'm up there playing this song.

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I feel that I am doing that in my life

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Jason English (Host): well, I'm gonna

read a couple lyrics real quick.

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Uh, just just because I think the spoken

word is powerful as Is a sung word but

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from the day we met I was never the

same You were the mascot at the football

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game big brown eyes in a Wildcat suit

hugging your knees outside the classroom

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Favorite child of a single mother.

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I loved you more than a boyfriend

more than a brother And then it goes

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on and it says The way you drove

yourself to church every Sunday, we

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swore we'd make it out of this town

one day and I called you a sinner.

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Ain't no sin bigger and there

ain't no damn thing wrong with you.

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As far as I can tell.

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No, there ain't no hell.

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Much worse than the one I put you through.

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That's awesome.

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Right.

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And cause I grew up in the buckle

of the Bible belt in Missouri and

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there's a lot of things that I

still hold dear about community.

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Hymns, uh, scripture, the fact that

we're, you know, we're not alone and

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that there's a creator and, God sent

his son, for our sins, all those things.

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But I, yeah.

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Yeah.

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Yeah.

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Yeah.

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Um, there's so much

tribalism that goes down.

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Yeah, exactly.

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No, exactly.

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It's like, you're supposed

to disregard that for this.

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Grace Pettis: I haven't

and I don't intend to

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Jason English (Host):

That's great to hear.

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Right.

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Um, but I think on this.

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Topic in particular.

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I think the church got it all wrong.

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You know, they got it all wrong.

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I

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Grace Pettis: well we got a lot of stuff

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Jason English (Host): yeah, they got it.

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They got it wrong.

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Cause it's like, um, at the day, these

people just want to love and be loved

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Grace Pettis: Yeah

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Jason English (Host): and just think about

all the broken souls and broken hearts and

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:

the disregard and the, in the, ignoring

and the, less than that they felt.

366

:

Yeah.

367

:

By Christians who are supposed

to be followers of Christ,

368

:

Grace Pettis: by Christians specifically

and also by the culture at large.

369

:

I mean, like the, you know, it was

classified as a mental disorder to be

370

:

gay until like the 70s or something.

371

:

So, I mean,

372

:

right.

373

:

yeah, but, but yes, you're right, like,

you know, for a religion that, you know,

374

:

ostensibly the tenant, the main tenant

is like, love your neighbor, right?

375

:

We are not very courageous about the way

that we love people who aren't like us.

376

:

Jason English (Host):

Congratulations to you.

377

:

Grace Pettis: Well, thank

378

:

Jason English (Host):

Congratulations to Landon.

379

:

Grace Pettis: Thanks.

380

:

Yeah, he's doing great, by the way.

381

:

He's in LA.

382

:

He did the choreography and acted

and danced in the music video.

383

:

So

384

:

Jason English (Host): gosh.

385

:

Yeah.

386

:

Grace Pettis: like now

387

:

Jason English (Host):

everybody should check

388

:

Grace Pettis: a grown up.

389

:

Yeah.

390

:

Jason English (Host): No.

391

:

Yeah.

392

:

No, it's great.

393

:

We were talking about this earlier.

394

:

It reminds me of the song

Tony by Patty Griffin.

395

:

Grace Pettis: I love Patty

Griffin, but I'm a huge Patty

396

:

Jason English (Host): Yeah.

397

:

I mean, a lot of, you know, a

lot of similarities with you.

398

:

Grace Pettis: I've gotten that a lot

and I didn't ever think about it.

399

:

I definitely didn't think about

it when I was writing the song.

400

:

But afterwards I've gotten that

comment from a lot of people, and

401

:

people have sort of drawn a connection

and said like, Oh no, did he die?

402

:

You know, did he kill himself?

403

:

And I said, no, no, no, no.

404

:

Um, but there's, there's a line about the

phone call that people always think is

405

:

like a phone call, you know, saying that

someone's passed away, and it wasn't that.

406

:

It was a phone call.

407

:

It was the phone call from

Landon of him coming out is, is

408

:

the call that I'm referring to.

409

:

But like, yeah, I can see why

people might, like, think that.

410

:

Um, but yeah, no, it has a happy ending.

411

:

We're friends again.

412

:

And, um, that's why I think

it's so important to like

413

:

important to Apologize to people when

we screw up because life is so short

414

:

and like he's such a cool person and

I'm, I'm so much better off having him

415

:

in my life, you know, and I feel like

there's so many apologies that are owed

416

:

to the queer community going back like

the past few decades that are, you know,

417

:

long overdue, but, but even, I mean, I

mean, among people that are living today

418

:

that maybe don't feel the way that they

did in the eighties, you know, but have

419

:

never taken the time to Track those

people down and try to make amends.

420

:

And I think it's so important because

it leaves such deep psychological

421

:

hurt and damage to be rejected.

422

:

When you have the courage to

be like, this is who I am.

423

:

And you show this really

core part of yourself.

424

:

Not the only part of yourself, but

something really central to who you are.

425

:

And then it's met with

just like, rejection.

426

:

That's so psychologically damaging.

427

:

So I think it's really important for

us to do the work of Where have

428

:

I wronged people and going back and

trying to make it right as much as

429

:

you can, you know You can't make it

right, but but it's never too late to

430

:

Jason English (Host): no matter if you're

20 years old, 30 years old, 70 years old.

431

:

That's

432

:

Grace Pettis: That's some of the coolest

things that have happened because of this

433

:

song is I've had people that have been

like I've got a friend From high school.

434

:

I'm gonna look them up on Facebook.

435

:

I'm gonna send him an apology like I'm

gonna and it just to know That there's

436

:

love going out in the world is just it

makes it gets me goosebumps just to think

437

:

Jason English (Host): think about it.

438

:

Yeah, I feel really good

439

:

Grace Pettis: Yeah, I feel really,

privileged, I guess is the word, to, I

440

:

just feel like, this, Landon and I have

talked about this too, we just feel like

441

:

our story has helped make other people's

stories better, and it's a really good

442

:

feeling to feel useful, and that feels

so redemptive, it feels so, cathartic,

443

:

.

Jason English (Host): You're, I think, passionate about, hence

444

:

the working woman title, right?

445

:

Is women empowerment.

446

:

Feminism, all those things.

447

:

And I think, you know, the

genesis of this podcast is the

448

:

inspiration behind the show, Ted

Lasso and the character and stuff.

449

:

But one thing when I was preparing

for this conversation is when you

450

:

think about that show, yes, it's Ted

Lasso, but actually the most dynamic

451

:

characters on that show were Rebecca

452

:

Grace Pettis: Mm hmm.

453

:

Mm hmm.

454

:

Mm hmm.

455

:

Jason English (Host): I

thought, I thought they were

456

:

Grace Pettis: they

457

:

Jason English (Host):

extraordinary examples of,

458

:

Grace Pettis: great female

459

:

Jason English (Host): yeah, yeah, yeah.

460

:

Grace Pettis: acting.

461

:

Jason English (Host): Yeah.

462

:

And you know, just the fact that like

Rebecca inherited the, or not inherited

463

:

the club, but got it through a divorce

and she, she had her own agenda, but

464

:

she was able to use how strong she

was as a person and as a leader, but

465

:

could also tap into the feminism to

really, which isn't a bad thing, right?

466

:

Like the, the delicate feminism, to

be a strong person doesn't have to

467

:

be, you need to be an asshole all the

468

:

Grace Pettis: that you can be soft

and empathetic and community minded

469

:

and that that isn't a weakness.

470

:

Jason English (Host): exactly.

471

:

She was able to kind of use both

to better herself and sort of

472

:

recognize, okay, she's sabotaging Ted.

473

:

That's not great.

474

:

But then she recognizes what the

impact she has and I don't know

475

:

how that all sort of transformed.

476

:

I thought it was a great example.

477

:

Grace Pettis: Yeah, it's cool.

478

:

It's, it's interesting that we've

decided that these characteristics

479

:

of being assertive is like male

and being nurturing is female.

480

:

And, and I just think it's, it's, it does

such a discredit to so many like nurturing

481

:

men that I know, so many single dads, and

it does such a disservice to like so many

482

:

strong, assertive, powerful women who,

483

:

It's that thing, like, if you're

a girl, a little girl in school,

484

:

and you raise your hand too much,

or you talk too much, which I did,

485

:

Jason English (Host): you talk too much.

486

:

Grace Pettis: um, you know, you get this

bossy label, or this know it all, so

487

:

we get those messages so early, and if

you're a boy, and you, you know, care

488

:

about animals, or, or smaller children,

or you cry easily, then you're, then

489

:

there's something wrong with you,

490

:

Jason English (Host): Right.

491

:

Grace Pettis: it's, what a shame,

that we put ourselves into these

492

:

boxes in that way and don't just

let ourselves be who we are.

493

:

Jason English (Host): You've talked

a lot about the music industry being,

494

:

obviously male dominated and stuff.

495

:

And I think like on your website,

you talk about, here in the U S women

496

:

make up something like 22 percent of

chart topping artists, 2 percent of

497

:

the producers credited are on those

charts and just about 12 percent of the

498

:

songwriters, less than 1 percent of chart.

499

:

Topping songs are written without men

500

:

Grace Pettis: men.

501

:

Less

502

:

Jason English (Host):

less than one percent.

503

:

Grace Pettis: Yeah, yeah

504

:

Jason English (Host): is crazy

505

:

Grace Pettis: Like Tracy Chapman

in Fast Car that was just, cut

506

:

and was this big country

507

:

Jason English (Host):

Yeah, Luke Combs, yeah,

508

:

Grace Pettis: right?

509

:

Which is so cool Years after the

fact but she is I believe the first

510

:

woman of color To have a hit country

song like as the writer, and I think

511

:

as this as the singer too it's just

yeah I it is it's really interesting

512

:

because we sort of just we just treat

it like we're just fish in water

513

:

where you don't even see it, you know?

514

:

And, for every other

industry, think about doctors.

515

:

There didn't used to be women in,

lab coats either, but there are now.

516

:

And nobody, would say, Oh, I don't

want this brain surgeon, because

517

:

she's a woman, if she's, the best

brain surgeon, you know what I mean?

518

:

So, it, the fact that we're less

than 2 percent of producers is just,

519

:

Jason English (Host): is just,

520

:

Grace Pettis: criminal.

521

:

I know many, so many

amazing women producers.

522

:

We're graduating at 50%.

523

:

Jason English (Host): percent

524

:

Grace Pettis: From the music schools.

525

:

So when sound engineers, mixing,

mastering, like producers, all of those

526

:

people behind the soundboard, we're

graduating at the same rate as men.

527

:

Jason English (Host): it's a lot

528

:

Grace Pettis: But we're not getting hired.

529

:

We're not getting the jobs.

530

:

And I think that that's

that's a big problem.

531

:

Jason English (Host): The

little decisions each day.

532

:

Yeah, it's the

533

:

Grace Pettis: Yeah, it's the little

decisions you do, and it's also just

534

:

like, I don't think about it as like,

oh, I'm team woman and not team man.

535

:

No, I'm team human race.

536

:

If you're talking about the human race,

and women make up more than 50 percent

537

:

of our population in America, and we're

less than 1 percent of the songs are

538

:

written by women, we are just not hearing

this huge part of our own humanity.

539

:

And art is supposed to

reflect who we are as humans.

540

:

If there's no songs about, I don't

know, having a miscarriage or aging

541

:

as a woman or what it's like when your

kid leaves the nest if we don't have

542

:

any songs about this, then the female

experience is just completely erased,

543

:

is definitely erased for women of color.

544

:

So I just think it's a, I think it's

a mission statement to get behind in

545

:

general to just try to help listen to

the stories that, that aren't being

546

:

told, that aren't allowed to be heard.

547

:

I think that that's a really

important thing we can do as humans.

548

:

Jason English (Host): Does the,

success of Taylor Swift give you hope

549

:

Grace Pettis: Oh yeah, absolutely.

550

:

And Beyonce, like huge.

551

:

And, you know, the Barbie movie.

552

:

There's a lot of pink, the pink dollar

they said this year was pretty strong.

553

:

I think it's worth remembering

that since forever, fan bases

554

:

have been a lot of teenage girls.

555

:

You think about the Beatles,

who's in the crowd, right?

556

:

So we actually are the,

we are more powerful.

557

:

We don't necessarily need to be empowered.

558

:

We just need to remember

that we have power.

559

:

Jason English (Host): Well, to wrap

up, you talked about working woman.

560

:

Are you working on a new album in 2024?

561

:

What's your plan look like

562

:

Grace Pettis: got a, a new record

that is in the can, produced by Mary

563

:

Bragg, who produced my last record.

564

:

We're really proud of it.

565

:

It's a really different

record than Working Woman.

566

:

Working Woman was this kind of

anthemic, girl power, you know?

567

:

I wouldn't say girl power,

but it was a rock record.

568

:

It was a rock band.

569

:

Big, loud, anthemic record.

570

:

Um, very sure of itself,

I guess I would say.

571

:

And this one is, is coming on the heels of

a, long separation and divorce and, COVID

572

:

and a lot of, personal catastrophic loss.

573

:

The kind that, made one of my friends

say after it sort of all went down,

574

:

like, no offense, but this is my worst

case scenario what just happened to you.

575

:

So that kind of thing.

576

:

It's coming on the heels of that.

577

:

So I got real quiet for a while.

578

:

And I wrote a lot of songs that I sent to

my therapist before I, decided to record,

579

:

um, and in some ways it's definitely

a divorce record, but I think it's a

580

:

record specifically for, um, I like to

say there's, there's the two meetings.

581

:

So there's the first meeting is, it's

like the secret club and there's 12 steps

582

:

and you work the program and those of

you listening who know what I'm talking

583

:

about know what I'm talking about.

584

:

And there's various substances that

can qualify you to be a member.

585

:

Um, but the meeting is pretty much

the same no matter which one it is.

586

:

And then there's the second meeting and

the second meeting is for all the people

587

:

that love the people in the first meeting.

588

:

And that one also has 12 steps, and

that one, there's also different ones

589

:

for different types of problems, but

it's all kind of the same shit, right?

590

:

And if you've attended either one of

those, this record is for you, but

591

:

especially, it's for the people in

the second meeting, because I think

592

:

there's a lot of, art out there

that reflects the hero's journey of

593

:

recovery, which is really important.

594

:

And I'm glad that it exists

and there should be more of it.

595

:

But again, just talking about the stories

that are told and the stories that aren't.

596

:

There's a lot of people on the

sidelines of that journey of recovery.

597

:

And a lot of people are hurt and

damaged and thrown away along the way.

598

:

And then there's kind

of not a way to fix it,

599

:

tell their

600

:

you know?

601

:

And it's hard for those people to

tell their stories because it's

602

:

so taboo and it's so stigmatized.

603

:

To be the loved one of someone who

has, recovered or been in recovery.

604

:

You have a lot of complex emotion.

605

:

You have a lot of anger.

606

:

There's a lot of sadness.

607

:

There's a lot of, uh, and it needs to be

okay for us to tell our story as well.

608

:

It needs to be okay for us to, because

the reason there is a meeting for

609

:

us is so that we can look around

the table and say, Okay, I'm not

610

:

alone, and I'm not crazy, you know?

611

:

Jason English (Host): to it.

612

:

Thank you for the conversation.

613

:

Can you, can you play

a couple of songs for

614

:

Grace Pettis: Sure thing.

615

:

Jason English (Host): right.

616

:

Thanks,

617

:

Grace Pettis: Thanks so much.

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About the Podcast

Curious Goldfish
A Community Where Inquisitiveness and Music Come Together. Inspired by the Mindset of Ted Lasso.
Launching in 2024, the Curious Goldfish Brand is inspired by two episodes from the First Season of the Apple TV+ Series Ted Lasso.

The “Goldfish” reference is about the importance of not dwelling on mistakes in life. In an early episode, Ted Lasso, the series’ namesake asks one of his players – after they were badly beaten in a play during training – what the happiest animal on earth is. The answer: A Goldfish, because it has a 10-second memory. Lasso encourages the player to forget the mistake and to not let it hinder his mindset. In other words, to “Be a Goldfish.” The “Curious” reference is born from another Season 1 episode where Ted finds himself in a dart match at a local Pub with a ruthless Football Club Owner. Lasso references a quote from Walt Whitman to “Be Curious, Not Judgmental.”

So “Being a Goldfish” is a great start, but curiosity is an undervalued trait in today’s world. We don’t ask enough questions; we don’t inquire enough about each other and about life. So I want people to be “Curious Goldfish.”

The initial premise of the podcast will center around my curiosity about music. I can’t sing. I don’t play a musical instrument, but I am inspired by artists who are vulnerable enough to put their thoughts down and then share them with the entire world. I’m curious about the songwriting process; I’m curious about a musician’s journey; I’m curious about the business of music; I’m curious about who or what inspires a sad song, a love song - and everything in between.

Though the initial premise is music, we will likely spend time discussing and highlighting all-things Ted Lasso. In its three seasons, it inspired the host in so many ways (work, personal, relationships etc).

The musical focus of the Curious Goldfish Podcast will center around up-and-coming artists primarily in rock, roots, folk, Country and Americana genres. Not every aspiring musician will earn $100 million from Spotify streaming like Taylor Swift. Our goal is to shine a light on those artists who have as few as 100 monthly listeners to those with more than 100,000. Their stories deserve to be heard because your music can inspire, and it’s time you had a chance to share them.
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About your host

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Jason English

Tech Exec by Day, Music Lover Day and Night. Former Journalist who is trying to be a middle-aged William Miller from the Movie Almost Famous. Also, Ted Lasso changed his life...so there's that.